Download PDF Orchestration, by Walter Piston
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Orchestration, by Walter Piston
Download PDF Orchestration, by Walter Piston
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In this book Walter Piston again displays those qualities that distinguished his earlier books, Harmony and Counterpoint.
Again he draws upon his own wide knowledge and experience as composer and teacher to present all phases of the subject. No practical aspect of instrumentation for the orchestra is neglected, and comprehensive treatment is given to each significant component.The author approaches orchestration from the premise that the principles can best be presented by analysis of music as it has been written.The essentials of instrument combination discussed here are those which can be observed operating in the scores of great composers from Haydn, Mozart, and Beethoven down to our own day.
Orchestration is notable for the clarity and logic of its organization. From a consideration of the individual instruments and their technical problems the author skillfully develops his analysis of orchestration, covering his analysis of orchestration, covering instrumentation of primary and secondary melodies, part-writing, chords, and contrapuntal techniques. Finally, he discusses typical problems in orchestration together with some examples of their solutions.
Orchestration is profusely illustrated with hundreds of musical examples and with drawings of the various musical instruments that make up the modern orchestra.
- Sales Rank: #718021 in Books
- Brand: Unbekannt
- Published on: 1955-01-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.10" w x 6.10" l, 1.78 pounds
- Binding: Hardcover
- 488 pages
About the Author
Walter Piston was Professor of Music at Harvard University. An outstanding composer whose many works have been performed by leading orchestras and chamber ensembles both in the US and abroad, he received the Pulitzer Prize twice for distinguished musical composition.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By William B Johnson
Helpful
16 of 18 people found the following review helpful.
THE best
By theta
This is by far the best orchestration book ever published. I am particularly appreciative just now considering that I have in my hands the third edition of Samual Adler's clumsily composed "The Study of Orchestration", which has several errors on almost every page. Unlike Adler and Blattner, Piston knew precisely what he was talking about and put it succinctly and appositely. Note to the silly "reviewers" who call this "dated": the orchestra HAS NOT CHANGED.
9 of 10 people found the following review helpful.
Quick and easy read to whet your appetite.
By Ghost(Ghost(M))
A very brief review primarily to correct a few misconceptions proposed by some of the five-star reviewers below. I don't have a problem with this rating, btw (you noticed that I also gave this book five stars), but I'd like to add a proviso -- 'cause if you're not a right reader, this book will be much less valuable and maybe even unnecessary. Here it is: the book is very nice but it doesn't go into any degree of depth: it will give you a good idea of what orchestration involves and that's it. You will NOT become an arranger after reading this book -- you will need to continue with other books and study materials (and btw, the author is totally open and clear about that). People who try to sell this book as some sort of best-ever, deep, and all-encompassing instrumentation treatise are lying.
Basically, this book consists of two sections/themes: an extended overview of the traditional orchestral instrumentarium (ranges, transposition, bad notes, etc.) and then, in the second section, a few examples of simple score analysis (different orchestral textures: tutti, melody+accompaniment, part writing, polyphony -- this sort of thing, a chapter per type).
Another complaint I saw here is about the boring, "academic", etc. writing style. There _is_ something to this, but so little, you shouldn't worry. I read all Piston books and know how he writes: while his style _is_ in fact somewhat ungraceful, it's neither abstruse, nor superfluous. He's easy to read and he's always to the point. Plus he never fattens his books in any way; I guess in those times publishers did not insist on any magic number of pages (this book isn't thick).
Bottom line: not as good as his _Harmony_ (and about the same as his _Counterpoint_), this is a perfect first book on orchestration; can be read in one sitting; to a beginner very enlightening w/o being burdensome. In fact it's a perfect book for someone who, w/o further-looking plans, simply wants to get an idea of what orchestration is: simple, clear, doesn't cost an arm and a leg (and it's rather old, so you can find a discounted copy online). Not a must read by any means, but for a right reader a pleasant option.
PS. Btw., the book was priced at twenty-four bucks at the time of posting of this review. It's fifty-two now -- don't you love it how they double the prices overnight like it's the most reasonable thing to do? This book is not an in-depth treatment of the topic, it's a one-time quick read, and it's not worth a high price. Best of all, get it in a library.
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