Jumat, 17 September 2010

[Y172.Ebook] Fee Download Offensive Films, by Mikita Brottman

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Offensive Films, by Mikita Brottman

Brottman offers up a study of movies so offensive, some are practically unwatchable. From the ever-popular Faces of Death movies to purported snuff films, from classic B-movies such as The Tingler, to more popular but no less controversial films such as The Texas Chainsaw Massacre, Brottman takes a wide-eyed look at movies most folks watch only through parted fingers.

While most critics have been quick to dismiss such films as mere shock-fests (if they even bother to talk about them at all), Brottman argues that these movies tell us quite a bit about who we are as a society, what makes us anxious, and what taboos we truly believe cannot be crossed. Part anthropology, part psychoanalysis, Offensive Films vivisects these movies in order to figure out just what about them is so offensive, obscene, or bizarre. In the end, Brottman proves that these films, shunned from the cinematic canon, work on us in sophisticated ways we often choose to remain unaware of.

  • Sales Rank: #1527154 in Books
  • Brand: Brand: Vanderbilt University Press
  • Published on: 2005-10-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.96" h x .52" w x 6.10" l, .69 pounds
  • Binding: Paperback
  • 216 pages
Features
  • Used Book in Good Condition

Review
For those called to be diagnostic morticians of a sick culture. Not recommended for the faint.
--Choice

Consistently witty and intelligent, informed by a cheerful nihilism. I thoroughly enjoyed reading it.
--Science Fiction Studies

About the Author
Mikita Brottman is Professor in the Department of Language, Literature and Culture at the Maryland Institute College of Art. She is the author of Car Crash Culture (Palgrave Macmillan, 2002) and Funny Peculiar: Gershon Legman and the Psychopathology of Humor (Analytic Press, 2004), among other books.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Great Topic, Good Execution
By Michael Adams
This book is a welcome addition to a genre with far too few titles available. The serious critical analysis of "other" cinema is almost entirely unavailable in book form. That said the main shortcomings of this book are the first two essays. The otherwise excellent essay on Tod Browning's "Freaks" is over long and a bit repetitive. And the essay on Castle's "The Tingler" over reaches on a few scatological connections/conclusions. These are minor problems with an otherwise informative and scholarly text on a subject most would not consider worthy of such attention. As a fan of non-mainstream cinema, I wish there were more books like this and I hope the author continues delving deeply into similar subject matter.

7 of 11 people found the following review helpful.
An interesting subject chocked full of erroneous information
By Helltopay27
The topic of taboo and "offensive films" is truly a fascinating subject. It help even more if you're a die hard fan of these films. Naturally, if one likes viewing these films, reading research on the films should be fun and interesting as you explore further and further into the dark realms of the bizarre and obscurity. This read, however, is nothing but frustrating for any person with exploitation background, as it's convoluted with incorrect information and bad research.

As I mentioned, the biggest problem with this book is just wrong information across the board. Not only does Miss Brottman get film dates wrong, she gets chronological order wrong, character names wrong, actors' roles wrong, hell, she even mixes up films (for instance, Deep River Savages by Umberto Lenzi was NOT released in 1981; it was released in 1972. IT started the "cannibal genre", NOT Deodato's Last Cannibal World, which was released in 1977, NOT 1975).

Another short coming that I was frustrated with is the miniscule depth Brottman takes on the subject of Mondo films. She briefly (and when I say briefly, I mean BRIEFLY) touches on the works of Jacopetti, Prosperi, Climati, Morra, and the Castiglionis, the true godfathers of the genre, and then spends the rest of the chapter focusing on direct-to-video compilation death films, such as Faces of Death, Traces of Death, and Death Scenes. These films are a disgrace to the Mondo name and is lame exploitation that makes fun of victims and are meant for sickos' to get their rocks off on. Nothing on the Mondo Cane series, the Savage Trilogy, or the Africa series by the Castiglionis is discussed in ANY detail. More, she mentions the names as part of the genre's history and dives face first into bad topics (also chocked full of erroneous information).

The topics on the more mainstream films (such as Freaks and The Texas Chain Saw Massacre) are more correct and professional (though years are often incorrect), but information on these films is much more readily accessible, which would probably be why their sections are more accurate. Also, books dedicated entirely to that one film are available, with more substance, history, and information all together. Those looking for good research on obscure films then should beware.

Overall, it's a mess. A simple check into all of these films' backgrounds will be able to point to the errors of Miss Brottman's information. Plus, most of the information really is nothing new. I was disappointed in the fact that I ordered this book for research, but was unable to cite anything that I didn't already know (or, again, covered by different books in much more depth). An interesting read for Miss Brottman's opinions, but a very unwise choice for good, solid factual information.

2 of 4 people found the following review helpful.
No jargon, smooth read.
By Raymond Trumble
This book was helpful to me in a grad course I took on horror films. Although its an academic book, its not too hard to read, not too much theory or jargon, like similar books. Also the author treats these movies tongue-in-cheek. He's not claiming they're great films, just that they effect you in a certain way. Better than most academic books about horror films. Could use more pictures.

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Rabu, 15 September 2010

[H332.Ebook] Ebook Free More Unkempt Thoughts., by Stanislaw Jerzy Lec

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More Unkempt Thoughts., by Stanislaw Jerzy Lec

  • Sales Rank: #5828875 in Books
  • Published on: 1969-06
  • Binding: Hardcover

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15 of 18 people found the following review helpful.
Did satire die with communism?
By Primoz Peterlin
Do you find most sit-coms imbecilic and Monty Python's Flying Circus, well, adolescent? Then what you are looking for is satire. As Ambrose Bierce, the great American satirist of the late 19th and early 20th century put it in his Devil's Dictionary, satire is "an obsolete kind of literary composition in which the vices and follies of the author's enemies were expounded with imperfect tenderness. In this country satire never had more than a sickly and uncertain existence, for the soul of it is wit, wherein we are dolefully deficient, the humor that we mistake for it, like all humor, being tolerant and sympathetic. Moreover, although Americans are `endowed by their Creator' with abundant vice and folly, it is not generally known that these are reprehensible qualities, wherefore the satirist is popularly regarded as a soul-spirited knave, and his ever victim's outcry for codefendants evokes a national assent."
One thing is true. For reasons unknown to me, when you are trying to think of a 20th century satirist, he is likely to be Russian, Polish or Czech. And none of them published anything during the last ten years. Satire seems to be especially flourishing in a repressive environment, be it Austrian-Hungarian empire, tzarist Russia, or communism.
Stanislaw Jerzy Lec (1909-1966), a Polish aphorist, was one of the last grand masters of the art of satire. His brilliant bitter-sweet collection of aphorisms, "Mysli nieuczesane", was first published as a serial in 1957, and English translation by Jacek Galazka followed in 1962. "More Unkempt Thoughts" is a follow-up, published posthumously in 1968. If you can find this gem, give it a chance.

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Sabtu, 11 September 2010

[Q237.Ebook] PDF Download Confessions of an Event Planner: Case Studies from the Real World of Events--How to Handle the Unexpected and How to Be a Master of Discret

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Confessions of an Event Planner: Case Studies from the Real World of Events--How to Handle the Unexpected and How to Be a Master of Discret

For anyone planning events—student, novice, or experienced professional—Confessions of an Event Planner is an “apprenticeship in a book.” This insider’s guide takes you on a narrative journey, following a fictional event planning company that stages various types of events around the world for many different clients.

While other books, college courses, and training programs give you the theory and how-to of the profession, Confessions of an Event Planner reveals the real world of event planning and what can happen—usually the unexpected—on an event program when actual participants are added to the event planning design and execution mix. In a climate of media scrutiny and corporate scandals, event planners must be masters of discretion, knowing how to avoid and deal with everything from sexual romps to financial shenanigans, to chainsaw wielding salesmen dead set on “re-landscaping” the grounds of the resort they’re staying at. From an event planner who’s seen it all and knows how to deal with it all, comes practical first-hand advice delivered in an entertaining and accessible format.

Each chapter is set in a unique location, with a cast of characters, and a host of challenges and problems to overcome—from the boardroom to the resort guest bedrooms. Readers learn what they can come up against, how to problem solve creatively on the fly, get ideas for staging spectacular events, and see the principles of event planning in action. The scenario in each chapter is introduced by an outline of what will be covered in the chapter, and each chapter concludes with a series of review questions to explore key issues and stimulate reflection or discussion for individuals or groups. Ideal as a companion to Judy Allen’s six other event planning books, as a textbook in event planning courses, or as a professional training tool Confessions of an Event Planner prepares planners for what they can expect once they start working in the world of corporate and social event planning, and will help decision-makers set company policies, procedures and protocol and promote�discussion about codes of conduct in the office and offsite.

  • Sales Rank: #823500 in Books
  • Published on: 2009-03-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .98" w x 6.30" l, 1.20 pounds
  • Binding: Hardcover
  • 288 pages

Review
Strategic Reading Sure, we're supposed to learn from our mistakes, but what if you could skip the first step and just learn from someone else's? That's the premise behind Judy Allen's latest book, Confessions of an Event Planner: Case Studies from the Real World of Events -- How to Handle the Unexpected and How to be a Master of Discretion. The book follows a fictional event-planning company through the challenges its planners face working with clients around the world. Allen entertains while presenting real-world problems and offering advice on how to defuse tough situations creatively. Each chapter provides a list of questions to spark discussion. --Meetingsnet.com

About the Author
Judy Allen is one of the world’s leading authorities on staging, event and lifestyle design and the bestselling author of ten books for the professional, business and consumer markets. Allen, a master of creative design, has flawlessly executed successful special events—corporate, social, and celebrity—for up to 2,000 guests at a time in more than 30 countries around the world. She has designed and produced memorable events such as Disney’s worldwide theatrical opening-night gala for Beauty and the Beast, and the orchestration of Oscar-winning director Norman Jewison’s 25th anniversary celebration for Fiddler on the Roof.
Highly skilled in staging events that are strategically designed to be one-of-kind experiences and a master of transforming the energy of an event environment by engaging the senses with trademark primary design principles, Allen has worked closely with CEOs, CFOs, presidents and their executive staff around the globe to create, implement and oversee their corporate and social business events.
The many diverse events that Allen has designed and executed extend from complex one-day events to elaborate arrangements of theme productions taking place over the course of a week. These events ranged from very exclusive VIP events to multimillion-dollar, multimedia fantasy extravaganzas including seven new-car product launches and involved high-tech stage and show productions.
Allen, and her 2jproductions (www.2jproductions.com) partner, Joe Shane, are now bringing their dynamic creative energy, innovative style and perceptive insight to home, life and lifestyle design and world class resorts around the world through Sensual Home Living™ (www.sensualhomeliving.com) and other initiatives.

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0 of 0 people found the following review helpful.
Funny as heck
By Christina
Funny as heck! Experienced planners will nod their heads at the shenanigans described. If people only knew what went on behind the scenes!

0 of 0 people found the following review helpful.
Great condition, fast shipping!
By Jordan Miller
This book is in great shape and looks brand new! The book shipped out quickly and I look forward to using it in my class.

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[G509.Ebook] Download PDF Rich Kids: How to Raise Our Children to Be Happy and Successful in Life

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Rich Kids: How to Raise Our Children to Be Happy and Successful in Life

  • Sales Rank: #7819491 in Books
  • Published on: 1900
  • Binding: Paperback

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Rich Kids: How to Raise Our Children to Be Happy and Successful in Life PDF

Rabu, 08 September 2010

[P777.Ebook] Download Amberwell, by D.E. Stevenson

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Amberwell, by D.E. Stevenson

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Amberwell, by D.E. Stevenson

It was dark when Nell Ayrton got to Carlisle.

There had been a raid in the Midlands and the station was blacked-out and in chaos.

Nell ran wildly from one side of the enormous station to the other, despair clutching at her heart.

How on earth was she to find an unknown woman in the milling crowds? And would she have Roger’s baby safely tucked away with her?

Nell is just one of the Aryton’s in trouble as the Second World War looms.

Amberwell, an estate on the west coast of Scotland, has been in the Ayrton family for several generations... descending from father to son in an unbroken line.

By family tradition, each new owner was to add to the amenities of the place and in this way Amberwell grew larger and more beautiful as the years went by, endowed with gardens and terraces and orchards.

The five young Ayrtons who grew up at Amberwell have now ventured out into the world.

They may have been brought up by cool, distant parents, but the bonds between these children are strong.

Now they must fight to hold on to what they see dear as the threat of war emerges.

Will the war drastically alter their destinies?

What will become of the Amberwell children, their complex relationships, and the place they call home ...?


“Consistently charming” The Times 


“D. E. Stevenson shows a warm, human understanding … in this delicately written tale of family life.” Birmingham Mail

“A delightful story” Edinburgh Evening News



D. E. Stevenson (1892–1973), Dorothy Emily Peploe (married name) was a Scottish author of more than 40 light romantic novels. Her father was the lighthouse engineer David Alan Stevenson, first cousin to the author Robert Louis Stevenson. 



Endeavour Press is the UK’s leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

  • Sales Rank: #27850 in eBooks
  • Published on: 2015-10-13
  • Released on: 2015-10-13
  • Format: Kindle eBook

Most helpful customer reviews

18 of 18 people found the following review helpful.
A Wonderful Story
By Cyberlucy
My mother gave me her copies of "Amberwell" and "Summerhills", its sequel, and I enjoyed them emensely. While this book was labled on the cover "A Romance", it is a more a family story (and a dysfunctional family at that). Stevenson looks for the positve in everything and inspires the reader to do the same. The children in the Ayrton family are survivors. They are able to rise above it all despite what WW II does to the family and the family home of Amberwell which they all come to love and cherish.
While the books center around the Ayrton family of Lowland Scotland, it is actually more about all the people who live on the Amberwell estate ( and the surrounding district), servant as well as master. The war breaks down the class barrier and brings everyone together as a unit to preserve the home that they all love and to help build the school that they would eventually call Summerhills. It is a joy to read. I would also recommend "Celia's House" and "Listening Valley".

15 of 16 people found the following review helpful.
Another Scots Gem by DEStevenson
By Amazon Customer
Another lovely Scottish novel by D. E. Stevenson released for Kindle by Endeavour Press! Amberwell, on the protected south west coast area of Scotland is a delightful property, home of the Ayrton family. We watch the 5 children born between WWI and WWII grow up and enter the world, with special focus on the happenings during WWII. The three sisters and two brothers also have to learn to deal with their difficult parents. The atmosphere and background of Scotland is almost another character. By the end of the book, the reader will be ready for more about the Ayrtons and if Endeavour releases Summerhills soon, the reader can continue the history of this family. An enjoyable read.

10 of 10 people found the following review helpful.
Wonderfully written!
By Rachel Shields (reshields@imailbox.com)
I love the way this book is written--so simple and sweet with vivid, but not flowery or wordy, pictures and descriptions. It gives the reader a look into life on a Scottish estate, not focusing too much on any one character, but letting us have a close glimpse of each of the five children as they grow up. It is a "real" story--life happens naturally, not with too much melodrama. I recommend it for any audience.

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Jumat, 27 Agustus 2010

[G932.Ebook] Ebook Free The Summer Dragon: First Book of The Evertide, by Todd Lockwood

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The Summer Dragon: First Book of The Evertide, by Todd Lockwood

The debut novel from the acclaimed illustrator - a high fantasy adventure featuring dragons and deadly politics.

Maia and her family raise dragons for the political war machine. As she comes of age, she anticipates a dragon of her own to add to the stable of breeding parents. Her peaceful life is shattered when the Summer Dragon - one of the rare and mythical High Dragons - makes an appearance in her quiet valley. Political factions vie for control of the implied message, threatening her aspirations, her aerie, her entire way of life.

The bond between dragons and their riders is deep and lifelong, and Maia's desire for a dragon of her own to train, ride, fly, and love drives her to take a risk that puts her life at stake. She is swept into an adventure that pits her against the deathless Horrors, thralls of the enemy, and a faceless creature drawn from her fear. In her fight to preserve everything she knows and loves, she exposes a conspiracy, unearths an ancient civilization, and challenges her understanding of her world - and of herself.

  • Sales Rank: #2184108 in Books
  • Published on: 2016-12-27
  • Released on: 2016-12-27
  • Formats: Audiobook, MP3 Audio, Unabridged
  • Original language: English
  • Number of items: 2
  • Dimensions: 6.75" h x .68" w x 5.25" l,
  • Running time: 18 Hours
  • Binding: MP3 CD

Review
Praise for The Summer Dragon:�

“The master of dragon art brings the same skills to dragon storytelling. This is a compelling, fully realized story which is as detailed and exciting as anything since the Pern tales. A sure winner.” —Terry Brooks, New York Times-bestselling author of the Shannara novels

“It's no surprise that Todd Lockwood can build a wonderful setting and world—he does it with his art all the time. But what strikes me about The Summer Dragon is that the shining elements of this novel are the characters. Using words instead of his paintbrush, Todd builds characters you care about, laugh with and cheer for.” —R. A. Salvatore, New York Times-bestselling author of The Legend of Drizzt

“I loved The Summer Dragon! I couldn't put it down, even though I should have been working on my own book.” —Kristen Britain,�New York Times-bestselling author of�Green Rider�

“Packed with action and fully-developed characters, both human and scaly, Summer Dragon is a dragon for all seasons.” —Alan Dean Foster, author of Star Wars: The Force Awakens

“Todd Lockwood’s dragons come to life on the page: more than animals, different from humans, and beautifully plausible without losing their fantastic touch. The Summer Dragon offers a welcome new take on the dragon-riding genre.” —Marie Brennan, author of The Natural History of Dragons

“Renowned artist Todd Lockwood shares his debut novel at last, a written work as vivid as the dragons he so loves to paint.” —Shawn Speakman, author of The Dark Thorn

“The master of dragon art brings the same skills to dragon storytelling. This is a compelling, fantastically-wrought adventure story, and Maia, the brave, intelligent, but flawed heroine, someone you can really root for. And the dragons? Oh, the dragons!” —Lou Anders, author of Frostborn

“Fans of dragons and the fantasy art of Todd Lockwood will find a bonanza with this book.” —Huffington Post

“Vivid imagery and a cast of rich, diverse characters combine to make Lockwood’s first full-length outing a rousing success.” —Publishers Weekly

“Lockwood has written a fantasy novel that is both classical and modern, one that pulses with a sense of history and emotion.” —B&N Sci-fi & Fantasy Blog

About the Author
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Excerpt. � Reprinted by permission. All rights reserved.
Chapter Three

Darian outpaced me, but I knew where he was going. I could hear him in the brush ahead. Eventually I stopped trying to catch up to him and slowed to a walk. The day was bright and warm, but the cool green shadows and the rich, damp smell of earth and leaves refreshed me. The underbrush whipped against my legs.

On a normal day, we’d have taken our time checking the snares. There were wild berries in season. Choice mushrooms in the shadows. Other treasures to be found—arrowheads or spear points, or ancient, rusted pieces of machinery. But Darian had gone straight to our most productive trap, the one near the ruins.

I couldn’t stop thinking about Fren, or about Father’s anger. The day felt wrong—a confused mix of sun and warmth, terror and guilt, joy and sorrow. I was frowning when I caught up to Darian at last.

The crumbling walls and pillars of an ancient temple compound broke up the trees. More light reached the understory so there were tender leaves in abundance, and a small rivulet of snowmelt from the higher peaks provided fresh water. It never failed to bring grazers into our snare. A small deer had been impaled on the spear and lifted up above the reach of groundling predators. Darian had lowered the catch, reset the trap, and now prepared to dress the little deer.

I plucked some berries from a nearby bush; I didn’t want to see more blood. I sat on a block of marble with a pile of berries in my lap. I was often drawn to the ruins when Darian was busy with other tasks or when my own duties gave me an hour to myself. Riding on Grus, Mother used to bring me to the ruins for picnics when I was small. I felt a chill, as if her ghost were here and had brushed against me. I pushed the memories down and let the tumbled blocks and pillars distract me.

We didn’t know their story completely. The dhalla—Mabir, our local Temple priest—talked about it often, but we didn’t understand half of what he said. There was a name—Cinvat—an ancient city buried somewhere in the forest beyond the ridge that this temple once served. We knew the tales were important, of course, and that someone had put great effort into this ancient shrine. I liked to study the crumbling walls and the stumps of marble columns, all covered with remnants of carvings that suggested a story long lost. A statue made of two different colors of stone dominated the center of the patio. It showed two dragons, a black one carved out of dark stone below and a white one made of marble above, locked in combat. They didn’t look like our dragons.

“I wonder who carved them,” I wiped berry juice from my chin.

“You know—old dead people,” said Darian.

I scowled at him.

We knew they were Avar—the dhalla said so—High Dragons like the Emperor’s mysterious Korruzon. The White Dragon was Menog, and the black one was Dahak—that much I remembered, and their struggle was the epic climax to an ancient tale. A cataclysmic war had ended here long ago, but somehow the details never stuck with me.

“Were they real?”

“Of course they were.” Darian continued sawing with his knife.

I’d never before wondered if they represented something real. The ruins had only ever been inspiration for our imaginations. We summoned up armies of monsters to face and defeat in the course of a summer’s afternoon, before we climbed the cliffs overlooking the Copper Sea to watch the kiting of the ocean birds, which became fleets of attacking dragons in our eyes. We knew those tales best, for they were�our�tales, not like those of the dhalla. We were the heroes, and the victories were ours.

“Do you suppose our games were like�.�.�.” I frowned, considering how to phrase the question, “like the ghosts of these people, trying to tell us their story?”

Darian looked up at me with one eyebrow raised. “That’s crazy-talk, Maia. I have no idea what you just said.”

I let it go. I wasn’t sure what I meant myself.

He finished dressing the deer and tossed the entrails into the bushes for smaller predators to find. Then he put the carcass out of the sun and washed his hands in the stream.

The perfect afternoon settled around me like a warm blanket. Perhaps Darian had been right to drag me out here after all. He could be a good friend when he wanted to be. I felt better.

But I knew we’d lingered long enough. “We need to get back, Dare.”

“There’s something I have to tell you, Maia.” I saw that same expression of unresolved conflict on his face.

My breath caught in my throat. “What?”

Darian scowled and kicked some dirt over the bloodied earth at his feet. “You’re not going to get a qit this year.”

Oh no�.�.�.�“This was our largest brood ever, with lots of—”

“Listen to me.”

He looked intensely uncomfortable, but finally managed to look me in the eyes again. “I overheard Father and Tauman talking last week, after the courier left. Something is going on�.�.�. some new expedition or defense. The Ministry is grabbing up every baby it can. I don’t know what happened, but Father told Tauman that it sounded bad, like the Emperor is worried. Father said we may not keep any dragons this year or next.”

“Or next?” My stomach sank.

“Which means I don’t get a dragon either, Maia. If we can’t keep two, we probably can’t keep any. A breeding pair has to bond early, right? The Ministry asked for a lot of babies. We could buy a second qit from one of the other aeries. Cuuloda maybe. But the Ministry isn’t leaving any to buy.”

“You’re certain?” I fought back anger.

“I’m sorry, Kidling.” That was the nickname he used when he needed to be both an older superior and a friend. “Tauman tried to convince Father. But the choice isn’t really theirs to make. It’s just not going to happen.” Darian sat down next to me and put an arm around my shoulder. I shrugged it off. His hands flopped resignedly into his lap. The silence swallowed me. Words would not come.

Father had to make decisions based on business, but this made no sense to me. Could the Ministry really need so many qits that we couldn’t keep just two? Wouldn’t another breeding pair give them even more qits in the future?

No dragon.�The little brown and buff female wouldn’t be mine, even though she and I both knew it was right—that we belonged to each other.

No dragon.�I buried my head in my arms and remained that way for a long time. Darian was silent but stayed beside me. Finally, his arm tested my shoulders again. This time I allowed it. The events of this morning now felt like a prelude, a sure sign that things weren’t going to go well.

I thought of my mother again. “Dare�.�.�. do you believe in curses?”

“No. Why would you ask such a question?”

I looked up and swallowed. “Do you think it’s possible for angry words and,” my voice caught, “bad deeds to create a curse, without meaning to?”

“You’re not cursed, Maia, if that’s what you’re thinking. Sometimes bad things just happen.” He hugged me a little tighter. “You have to learn to trust yourself.”

The world around us seemed eerily aware of my sorrow. A dead calm settled. The air had grown perfectly still. Not a bird or insect stirred.

“Listen how quiet it is.” Having made the observation, it suddenly struck me as unnatural, and Darian stiffened.

A soft�whoosh�of air rattled the leaves above us, and a shadow blotted the sun. Our heads snapped up, and the silhouette of a huge dragon passed above the treetops. As we gaped, the great beast sculled the air once, twice, with wings like the sails of a ship, and settled upon the tumble of ruins crowning the hill above.

It was the biggest thing I’d ever seen, colored like the sunset on a bronzed ocean horizon, with tinges of green at the edges of the wings and frill. It had horns like the twisted trunks of trees, and muscles that rippled with every least movement. Its scent wafted down the breeze toward us, rich with stone and earth, sap and spices, rain and lightning. It stretched upward and shook its mighty head so that the frill snapped like a flag. Then it looked lazily around, seemingly oblivious to our presence just down the hill. The air was charged with electricity.

I didn’t feel Darian’s hand on my arm until he shook me twice. “That’s a High Dragon!” he whispered. “Maybe even Getig, the Summer Dragon!” I was too dumbstruck to speak. “Do you know what that means?” he asked, but I wasn’t listening. I stood and started up the hill, drawn irresistibly to the magnificence of this animal. I disturbed a stone with my foot, and the great head turned our way. His gaze met my own briefly, and a chill shot down my spine, freezing my feet to the ground.

His eyes were molten copper orbs, the slits narrowed against the strong light. He fixed me with a look of stern evaluation, and I sensed an import, a sad urgency that I could not define. Time stopped as I tried to make meaning out of this strangely intimate gaze. My heart didn’t beat, my breath caught in my chest. Then the magnificent head dipped slightly, as if in acknowledgement of something, and he launched into the sky with a loud crack of leather and rush of air. He disappeared beyond the crest of the hill.

I tried to follow, but Darian pulled me backward by the shirt. “Do you know what this means? It’s a sign! The Summer Dragon! It’s a sign of big changes!” Darian took my face in his hands and made me look right at him. “I’m going to get my dragon!” He laughed. “Come on!”

Then he was galloping down the hill toward the compound. I looked one more time at the hilltop, trying to see the beast again in my mind. As I turned, the statue of Menog and Dahak caught my eye. I knew in that instant that the sculptor had seen the Avar. He had�known�what they looked like. Before I’d always thought the sculpture exaggerated, but now I saw it was a subtle and realistic portrait. The arch of their necks, the breadth of their chests, the musculature of the wings—it was perfect.

The breeze stirred again at last, swirling some leaves about my ankles. Insects chirruped once more in the trees. A bird trilled lightly nearby. Darian’s feet crashed through the distant forest, and one long, happy�whoohoo!�echoed through the valley.

The absence at the top of the hill drew me. Before I realized, I’d started the climb. I crawled over lichen-covered boulders and logs, leapt a rivulet, scrambled through some ferns and bracken, and found the foot trail to the crest. Soon I emerged into sunlight, on the very spot where the creature stood when his eyes met mine. His scent still lingered among the scattered ruins—a summer smell of orchards and grass and earth, but no other sign that he’d been here. I hopped onto the highest outcropping, my arms wrapped around the stump of a pillar, and scanned the landscape beyond.

The sky was empty but for a few scudding drifts of cloud. Cliffs shone on the far side of the valley. For a moment I expected to see him there—we knew that wild dragons sometimes nested among those steep crags where they could command a view of everything that moved in the woods below. On occasion Mother and Darian and I had picnicked right here, to watch them wheeling in the far-off currents.

But this wasn’t one of the wildings, and I could see no dragons there now.

“Where did you go?” I could still smell him. Or was I simply more aware of the scents of summer? The birds’ calls were bright, melodic notes playing above the rush and murmur of the wind. The trees danced in undulating waves. I could feel the entire mass of the world below and around me, its tumble toward night, the pull of the universe on my bones. I closed my eyes; it felt like flying and falling all at once.

Was that him making me feel this way? Was that Getig? I’d been on the verge of tears just a few minutes before, but now I couldn’t help smiling as I viewed the valley. It seemed more than it was before, transformed in some indefinable way. Greener. More alive.

Sunlight flashed on something white in the trees below. My heightened awareness drew me to it. So out of place—a stark brightness in the deep shade. Intrigued, I gauged its direction from where I stood, climbed down from the outcropping, and slid my way down the scree slope below.

The trees below dwarfed any on our side of the hill, the undergrowth more lush and tangled. I fought my way through the dense border and into the open shade beneath the canopy. The air was cooler, rich with the smell of humus. The boles of the trees were straight and branchless, like pillars in a temple. Sunlight reduced to thin shafts of gauzy green flickered in and out of sight. Moss made the boulders and logs of the forest floor into a strangely smooth landscape of alien shapes. Frogs croaked nearby, but eerily, the moss deadened all sound.

I considered my bearings, then headed into the still, green depths. The terrain rose gently, and soon I saw sun flash on white ahead of me once again. A slab of broken stone, like an altar, created a space among the trees where sunbeams danced. Moss gave way to light-starved saplings, ferns, and the occasional wildflower. In the center of the table lay the corpse of a dragon.

It hadn’t been dead long, but scavengers had already stripped away most of the soft flesh. The white I’d seen was the skull, grinning nakedly, with only a few remnants of skin on cheek and forehead. Its remaining scales were a dusty stone color with patches of bronze, fairly common among the local mountain breed. Its neck was arched back in the contortions of death, the wings drawn in like crumpled tents. The torso was hollowed out, leaving a shell of ribs that crawled with ants and flies. The stench hit me all at once, and I moved to the upwind side. It didn’t help much, but I was both fascinated and repulsed.

It couldn’t have been very old—perhaps two or three years, judging by the size and what remained of the frill. I couldn’t tell if it was male or female, but it would have been saddle-trained long since had it been one of ours. It might even have been old enough to breed, had it found a mate. It wouldn’t have been as healthy as our farm-fed breeding stock, but would have been tough and smart. A serious injury might lead to starvation and death, but a dragon had no natural enemies apart from other dragons and humans. Every two or three years, a wilding would become a nuisance, and Father and Tauman would be forced to bring it down. But the hides and meat, bones and sinew were always salvaged. It would never be left to rot in the woods this way.

A cruel wire noose bit deeply into the bones of its left rear leg. It seemed that someone had tried to capture this animal, not kill it. But it broke loose, came here, and bled to death.

Poachers. Father would want to know.

I squatted down, looking into the empty eye sockets. “Poor thing.” I said. “I wish I could’ve seen you alive. Perhaps I have—perhaps Darian and I watched you from the hill.”

It was almost too much: Fren’s mauling, Darian’s news, the Summer Dragon. And now this. Was there no end of portents and news today? I didn’t know whether to laugh or cry. But then Darian’s words finally struck me:�I’m going to get my dragon.�Why would he assume that?

The Summer Dragon was a sign of big changes, he had said. Perhaps because we had seen him, those big changes would be ours.

I’m going to get my dragon.�Perhaps I would get my dragon too.

I jumped up and ran back into the forest, crashed though the tangled margin, and scrambled up the slope. I was scratched and bruised by the time I reached the top of the hill again. I jumped up on the ruins for one last look back, just in case. And there he was.

Getig, the Summer Dragon, perched across the valley on a tall spire, his wings spread wide to warm in the sun, or perhaps to cool on a breeze. Then he leapt and snapped his huge wings downward, caught an updraft, beat his wings one more time, then turned and vanished beyond the line of cliffs. I watched for another few moments, but he didn’t reappear. I shivered in the full heat of the day.

Though my legs felt like they might crumple beneath me, I dashed toward home.

Excerpted from�The Summer Dragon�� Todd Lockwood, 2016

Most helpful customer reviews

58 of 60 people found the following review helpful.
An absolutely spectacular offering from author Lockwood - this series will rocket right into the Dragon genre's classics.
By jensketch
I've been holding off writing this review - I finished the book about a week or so ago and I've just been ruminating on it since. I didn't want to just blunder through the review of OMGSOGOOD - because that's what it would have been. I wanted to give it a little bit more, because it deserves it.

I'm very critical of books these days. I cannot help it. I've read a ridiculous amount of books - far more than the average, and that's simply because I've had the luxury of staying home with my children all their lives and so, I have had the time. I cherish it - the time with my children, but also, the life I've spent reading. It has given me a very particular taste and an extreme standard. I'm not a book hipster by any stretch - I still flip through Martin's ghastly writing in A Song of Ice and Fire because the story is just that good.

But it's a rare treat when a new Fantasy writer debuts, writes incredibly well, writes a female hero (exceptionally well) and then writes about Dragons - in the detailed Pern sense of Dragons, not as just some ephemeral plot point.

Todd Lockwood absolutely nailed it. His world building is fleshed out - but not TOO much. So many writers make the amateurish mistake of throwing too much at you at once. Not Lockwood. His world is fully realized and you see the corner you're meant to see. And that's it. It's mostly about the characters - which is the brilliant stroke! You're with Maia from the start. Along for the journey. She's not so blank you insert yourself into her (I just detest that kind of writing, it's lazy and easy) no, you hover over her shoulder and experience everything alongside her - just like excellent fiction is supposed to do.
There are some really great and unusual subtleties in this book that normally are seen in regular fiction, not high Fantasy like this. Rivalries, disagreements, bruised egos and feelings. All the negative emotions are not always directed at the "enemies" and this kind of subtle nuance is really welcomed in the genre, which is typically one-note in this regard.

The pace of the book is quite good - and I found myself dragging the book with me wherever I knew I'd have to sit for a bit, so I could read. I finished it faster than most books I read because I couldn't wait to see what happened next. The action was really exciting too, and visual. I still remember what everything looked like, so clear it is almost like a memory. But then my imagination is probably the most exercised muscle in my body ;)

It is at points charming, laugh-out-loud funny, exciting and heart-wrenchingly emotional. Yep, this book managed to get me to choke up and cry, too - in a couple places. Hard to do that these days, I'm such a cynic. Thing is - I'm really NOT - and my emotions can easily be teased out of me by excellent fare.

And The Summer Dragon is just that.

29 of 31 people found the following review helpful.
Todd Lockwood's Summer Dragon is a damn fine story. He brings together many fantasy elements I ...
By Justin Barba
Todd Lockwood's Summer Dragon is a damn fine story. He brings together many fantasy elements I love: a brave underdog of a heroine who doesn't take crap from anybody, ancient ruins, mysterious mountain caverns, and a variety of dragons, which he brings to life with passion and skill.

Maia, the young heroine, is the epitome of a tough female protagonist--she's the character so many people demand from fantasy these days. She stands up for what's right, very much at her own expense, and tries to do what's best for her dragon-breeding family, even when it puts her in danger.

If you're an animal person, and like dragons at all, you'll be satisfied with Lockwood's take on them. They remind me of dangerous family pets (which is GREAT). I choked up when one died, which surprised me, but he brought that scene to life with such vivid detail and legitimate emotion, that I knew the rest of the book would be excellent.

The Summer Dragon has earned my highest praise-- it leaves me wanting more. I'm looking forward to the sequel.

5 of 5 people found the following review helpful.
It's because of these types of books that I love telling stories. And it's because of these types of stories that I love fantasy
By Amazon Customer
The Summer Dragon

By Todd Lockwood

I have finished "The Summer Dragon" by Todd Lockwood. Honestly, I've been ruminating about it since I turned that last page, read those last words. When I picked this book up at Barnes and Noble at the beginning of May, I chose it solely because it was new, was about dragons, and because it was the first book of a series soon to be written. Inside, I began to get even more hooked. Artwork by the author himself of epic maps showcasing a new fantasy world littered the first few pages. There were sketches of dragons and the characters I would soon grow to love, and it all intrigued me to dive into this fresh world. It starts off with our main protagonist, Maia, and her family, who raise dragons for the war. She's a badass young woman who's quite positive she might be cursed. I mean, her mother even said so right before she died and those words cling to Maia constantly, thinking that it's probably true: disaster seem to follow wherever she goes, after all. When Maia thinks she'll get a dragon of her own this year, she is soon turned down after she sights Getig, The Summer Dragon, in the woods near her home. A sign of change, everyone says. A sign of bad things to come. And it is because of this rare sighting that Maia's world completely changes. She will be plunged into a grand adventure, a war against horrific beasts, and thrust into her own inner challenges and struggles. This book completely surprised me. I thought about this book incessantly while at work, while driving, because I honestly couldn't wait to go home, get into my pjs, and continue reading. It's because of these types of books that I love telling stories. And it's because of these types of stories that I love fantasy.

Maia, the protagonist, is endearing and she doesn’t let anyone get in her way. She’s an inspiration. Maia’s one of those characters who is feminine, yet doesn’t mind getting down and dirty. She stands up for what she believes in and doesn’t let anyone tell her who she is but her. Maia proves to everyone that she can be more than just a curse; a hero.

Recently, a lot of books I've read have these AMAZING plots, and yet fail to connect me with their characters. Character drives plot. That’s how it should be, anyway. With Todd Lockwood's characters, I never felt like I was looking in on them through a foggy window, trying to understand how they were feeling. Too often that can happen, and I don't like feeling disconnected in that way. It can ruin a book for me. These characters had a drive, a force, and a reason and a motive. And they had heart. I really FELT for them, dragon and human alike.

I give this book a glistening 5/5

[...]

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Senin, 23 Agustus 2010

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  • Published on: 2005-01-01
  • Binding: Paperback

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