Senin, 30 April 2012

[O627.Ebook] Download PDF African Music, Power, and Being in Colonial Zimbabwe (African Expressive Cultures), by Mhoze Chikowero

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African Music, Power, and Being in Colonial Zimbabwe (African Expressive Cultures), by Mhoze Chikowero

African Music, Power, and Being in Colonial Zimbabwe (African Expressive Cultures), by Mhoze Chikowero



African Music, Power, and Being in Colonial Zimbabwe (African Expressive Cultures), by Mhoze Chikowero

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African Music, Power, and Being in Colonial Zimbabwe (African Expressive Cultures), by Mhoze Chikowero

In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.

  • Sales Rank: #5955745 in Books
  • Published on: 2015-11-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.20" w x 6.20" l, 1.40 pounds
  • Binding: Hardcover
  • 364 pages

Review

"Whereas previous generations of scholars have argued how Africans adapted and revived musical traditions to resist colonialism in Zimbabwe, Mhoze Chiowero takes a longer view to demonstrate just how complicated and varying music history across Africa is during this era." ―Tyler Fleming, University of Louisville



"Reveals the power of colonialism to infiltrate African culture and manifests how Africans were socially engineered to be complicit in the colonial project." ―Maurice Taonezvi Vambe, University of South Africa



"A worthy contribution to African history, ethnomusicology, music, and dance married together with the powerful institutions of African colonialism and missionary work." ―Tendai Muparutsa, Williams College

About the Author

Mhoze Chikowero is Associate Professor of African History at the University of California, Santa Barbara.

Most helpful customer reviews

1 of 1 people found the following review helpful.
as anyone may satisfy himself if he sends a raw native to dig ...
By Amazon Customer
Our Western education system has worked diligently to scrub our minds clean of the historic violence and destruction that Europeans have propagated throughout the centuries. And although this reality permeates every aspect of world history, nowhere is this more prominent than in the fabrication of European narratives in telling the histories of Africa. This miseducation has deep roots, as seen in early narratives, such as Missionary Heroes in Africa (1922), in which it is stated, “but for the education received here and the previous labours of the missionaries [Africans] would not be able to distinguish the top of a printed page from the bottom, unable to use a single tool, unable even to use that complicated instrument called a spade, as anyone may satisfy himself if he sends a raw native to dig in his garden. They have been dragged out of the abyss of ignorance and entire want of manual skill by the opportunities they have had in this place.” Here, we learn that the missionaries were Europe’s gift to a backwards Africa.
Such narratives continue to this day in a wide range of mediums, take for example, pop culture films like The Mission (1982), in which the heroic missionaries (Jeremy Irons and Robert De Niro) in South America risk their lives to save their beloved Christianized “natives” from the evils of the Portuguese colonial government. And it is imbedded in academia in works like Thomas Turino’s Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (a book which Chikowero takes to task in his introduction). As Chikowero suggests, Turino’s argument that “missionaries loved traditional music and dance” and the inference that missionaries were really good people with good intentions, is an indication that Turino did not engage in any real way with clear evidence which shows the contrary. In fact, few works on African mission systems reach the level that Mhoze Chikowero has accomplished in his book, African Music, Power, and Being in Colonial Zimbabwe (University of Indiana Press 2015).

The first three chapters of the book show how missionaries consciously and systematically worked to destroy every aspect of life and culture in not just Southern Rhodesia (present day Zimbabwe), but throughout Southern Africa (one wonders how academics like Turino could have missed it). Chikowero’s argument at this point is based almost entirely on words of the missionaries themselves from the mission archives. One example states: “on numerous occasions, the Empandeni Mission raiding force broke up proceedings at ceremonies, pursuing the participants with dogs and whipping masvikiro (mediums), healers and dancers with sjamboks, hippo-hide whips.” These chapters also show the psychological violence used to control Africans, such as when missionaries deliberately took children from their families and forced a Christian education on them, and upon release, the children could no longer connect with their own families or understand their culture. Often these children would turn their own family members in for “heathen” acts which contradicted colonial laws.

In Chikowero’s analysis, musical instruments, such as the mbira, which was an instrument used to communicate with the ancestors, were destroyed or banned by Christian missionaries, who deemed the instrument to be an extension of evil. In replacement, missionaries made African children play European band instruments and forced them to march and sing Christian songs.

Yet, Africans, in all their resiliency and cleverness, resisted and repurposed colonial attempts to destroy them. Instead of succumbing, they reclaimed the mbira by the 1960s and used it in place of guns to fight the revolution against colonial rule. Chikowero interviews dozens of guerilla musicians and provides first-hand accounts of participants in the anticolonial resistance movements.

Furthermore, Chikowero shows how new generations of Africans used music to reclaim their cultural past and recreate their present: “A self-expressive organic ghetto register, the skokiaan symbolique furnished the dislocated and marginalized African underclasses, with a common grammar by which they could fashion a sense of community, common belonging, social intercourse, survival strategies, and self-crafted identities in the otherwise alienating environment.”
The primary mode of analysis through which Chikowero interprets African resistance and repurposing of colonial methods of destruction is through music, though one could really apply his argument to any aspect of African culture; including traditional food, dress, and spirituality. Similarly, though Chikowero’s geographical focus is southern Africa, his findings bear a strong resemblance to what missionaries did to North and South American Indians and so his work is incredibly useful for transnational comparison.

The title of the book gives the impression that the book is narrow in scope, on the contrary, the book is broad in its use and interpretations. African Music, Power, and Being expands well beyond the borders of colonially drawn Zimbabwe to include much of Southern Africa's Madzimbabwe cultures. Though it may seem so based on the title, one does not need to have any knowledge of musicology to get sucked into his inescapable narrative.

Titles aside, beyond the significance of the work itself, African Music, Power, and Being is beautifully written and its profound depth of intellectual analysis is matched only by the fluid and poetic writing style of the author: “Throughout the near century of colonial overlordship, Africans wielded song to articulate their cultures, their overwhelming sense of loss and unhappiness, and their defiant celebration of life, hope, resistance, and self-liberation.”

In short…. a good book makes you question everything you thought you knew… this is one of those.

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Kamis, 26 April 2012

[L231.Ebook] Download PDF Made in India: Recipes from an Indian Family Kitchen, by Meera Sodha

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Made in India: Recipes from an Indian Family Kitchen, by Meera Sodha

Made in India: Recipes from an Indian Family Kitchen, by Meera Sodha



Made in India: Recipes from an Indian Family Kitchen, by Meera Sodha

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Made in India: Recipes from an Indian Family Kitchen, by Meera Sodha

The best Indian food is cooked (and eaten) at home.

Real Indian food is fresh, simple, and packed with flavor. In Made In India, Meera Sodha introduces you to the food she grew up eating every day. Unlike the fare you get at your local Indian takeout joint, her food is vibrant and surprisingly quick and easy to make.

Meera serves up a feast of over 130 delicious recipes collected from three generations of her family. On the menu is everything from hot chapatis to street food (chili paneer; beet and feta samosas), fragrant curries (spinach and salmon, or perfect cinnamon lamb curry) to colorful side dishes (pomegranate and mint raita; kachumbar salad), and mouthwatering desserts (mango, lime, and passion fruit jello; pistachio and saffron kulfi). Made In India will change the way you cook, eat, and think about Indian food forever.

  • Sales Rank: #10227 in Books
  • Published on: 2015-09-15
  • Released on: 2015-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.12" h x 1.11" w x 7.71" l,
  • Binding: Hardcover
  • 320 pages

Review

"The recipes are unpretentious and were immediately promoted by my family of critics into must-makes for the monthly dinner rotation, new staples for a season of chill and damp." ―Sam Sifton, The New York Times

“This book is full of real charm, personality, love, and garlic. Bring on the 100 clove curry! Not to mention fire-smoked eggplant, chicken livers in cumin butter masala, and beet and feta samosas. There's so much to be inspired by.” ―Yotam Ottolenghi

“I want to cook everything in this book.” ―Nigella Lawson

"This cookbook is the story of Sodha, her family and their journey over three generations from India to Africa to England. 'An Indian kitchen can be anywhere in the world,' the London-based home cook and 'occasional' chef writes in her introduction. Sodha shows you how to do it with enticing recipes, colorful photographs, travel memories and a healthy dose of humor. Particularly useful are the detailed glossary of ingredients and spices, proposed menus and ideas for leftovers." ―Bill Daley, Chicago Tribune

About the Author
When not traveling around India, collecting recipes, MEERA SODHA chefs, writes, and lives in London. Made in India is her first cookbook.

Most helpful customer reviews

19 of 19 people found the following review helpful.
Excellent choice for weeknight Indian cooking
By Queechy
Overall: Well-organized, excellent table of contents/index/ingredients sources/illustrations. Recipes: easy to follow. We love the ones we've tried and have several others on our make-soon list.

Why I bought this book: My husband read the NY Times Food article about this book and the author. He told me that the chicken curry (from the author's mother) featured in the article was very similar to a chicken curry recipe given to him decades ago by a fellow VISTA volunteer and that we make regularly. This similarity piqued my interest. A lot of Ms. Sodha's recipes are simple enough to make on a weeknight but flavorful enough to be interesting. And she writes with wit and charm.

Bona fides: we regularly use recipes from cookbooks by Ismail Merchant and Madhur Jaffrey.

16 of 16 people found the following review helpful.
There are so many good reviews here
By Joanne K. Bouknight
There are so many good reviews here, so I won't repeat the kudos except to say that I bought the book for us at Christmas and lent it to my 90-year-old Italian mother-in-law and she won't give it back. She makes something from it almost every week. I've made the eggplant-cherrytomato curry and followed it to the letter (except for the tsp of sugar!) and it is fantastic--you don't have to precook the eggplant as you do with so many recipes, but be sure to cut it thin, as Meera says. And the curried cauliflower is incredibly delicious, you could eat a panful. Again, do blanch the cauliflower ahead of time. I used the lesser amount of salt and found that to be plenty of salt, btw. I roast cauliflower all the time, but this is the best. Sometimes I cheat and use ground spices instead of grinding the whole ones, but that only means the next time I cook cauliflower I'll do the grinding and it will taste even better. Also make her mama's curried chicken--delicious. Once I get the cookbook back, I'll make more recipes. Actually, I think I'll buy another copy and let her keep it.

17 of 17 people found the following review helpful.
The recipes are not only easy and, on the whole
By SRP
This is exactly what I was hoping for in an Indian cookbook. The recipes are not only easy and, on the whole, healthy, but they all sound wonderful as well. I've made a few already and they're spot on. It's nice to have recipes for things besides chicken tikka masala, korma, etc.

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Jumat, 20 April 2012

[Y823.Ebook] Get Free Ebook Octopussy and The Living Daylights (James Bond), by Ian Fleming

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Octopussy and The Living Daylights (James Bond), by Ian Fleming

The last collection of James Bond adventures from Ian Fleming, Octopussy and The Living Daylights features four tales of intrigue that push 007 to the limit and find the secret agent questioning where he can go from there…

In “Octopussy,” a former operative in the Second World War must face the consequences of past sins when James Bond knocks on the door of his Caribbean fortress, and in “The Property of a Lady” Bond deciphers the elaborate codes of a Sotheby’s bidding war in order to catch a KGB agent. “007 in New York” takes Bond to the titular city to warn an ex-agent of her boyfriend’s secret KGB affiliation. And “The Living Daylights” sends Bond to Berlin to protect a British agent before an assassin strikes.

Published posthumously, Octopussy and The Living Daylights marks Ian Fleming’s final contribution to the legacy of his iconic creation, 007 James Bond.

The text in this edition has been restored by the Fleming family company Ian Fleming Publications, to reflect the work as it was originally published.

www.ianfleming.com

  • Sales Rank: #100539 in Books
  • Published on: 2012-10-16
  • Released on: 2012-10-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .30" w x 5.40" l, .20 pounds
  • Binding: Paperback
  • 102 pages

Review
“Ridiculously fun and delightfully nasty” -�The Film Stage

"This Bond smokes, gambles, drinks and fights… the artwork is amazing” -�Geek Dad

“Fans of old-style comic books and strips, and Bond in general, may want to take some time to flip through this as it features some of the most well-known Bond plots.” -�Entertainment Buddha

“A classic” -�Barnes & Noble

“A must have” -�City of Films

“It’s like Mad Men but with spies, nukes, and dames!” -�Atomic Moo

“The sense of period, the glamour and Fleming’s own story-craft are all imaginatively, graphically portrayed. The essence of Bond is in these comics and they remain true to Fleming’s original envisioning.” -�Pop Mythology

About the Author
Ian Fleming was born in London on May 28, 1908. He was educated at Eton College and later spent a formative period studying languages in Europe. His first job was with Reuters News Agency where a Moscow posting gave him firsthand experience with what would become his literary bete noire—the Soviet Union. During World War II he served as Assistant to the Director of Naval Intelligence and played a key role in Allied espionage operations.

After the war he worked as foreign manager of the Sunday Times, a job that allowed him to spend two months each year in Jamaica. Here, in 1952, at his home “Goldeneye,” he wrote a book called Casino Royale—and James Bond was born. The first print run sold out within a month. For the next twelve years Fleming produced a novel a year featuring Special Agent 007, the most famous spy of the century. His travels, interests, and wartime experience lent authority to everything he wrote. Raymond Chandler described him as “the most forceful and driving writer of thrillers in England.” Sales soared when President Kennedy named the fifth title, From Russia With Love, one of his favorite books. The Bond novels have sold more than one hundred million copies worldwide, boosted by the hugely successful film franchise that began in 1962 with the release of Dr. No.

He married Anne Rothermere in 1952. His story about a magical car, written in 1961 for their only son Caspar, went on to become the well- loved novel and film Chitty Chitty Bang Bang.

Fleming died of heart failure on August 12, 1964, at the age of fifty-six.

Excerpt. � Reprinted by permission. All rights reserved.
'You know what?' said Major Dexter Smythe to the octopus. 'You're going to have a real treat today if I can manage it.'

He had spoken aloud and his breath had steamed up the glass of his Pirelli mask. He put his feet down to the sand and stood up. The water reached to his armpits. He took off the mask and spat into it, rubbed the spit round the glass, rinsed it clean and pulled the rubber band of the mask back over his head. He bent down again.

The eye in the mottled brown sack was still watching him carefully from the hole in the coral, but now the tip of a single small tentacle wavered hesitatingly an inch or two out of the shadows and quested vaguely with its pink suckers uppermost. Dexter Smythe smiled with satisfaction. Given time, perhaps one more month on top of the two during which he had been chumming up with the octopus, and he would have tamed the darling. But he wasn't going to have that month. Should he take a chance today and reach down and offer his hand, instead of the expected lump of raw meat on the end of his spear, to the tentacle - shake it by the hand, so to speak? No, Pussy, he thought. I can't quite trust you yet. Almost certainly other tentacles would whip out of the hole and up his arm. He only needed to be dragged down less than two feet, the cork valve on his mask would automatically close and he would be suffocated inside it or, if he tore it off, drowned. He might get in a quick lucky jab with his spear, but it would take more than that to kill Pussy. No. Perhaps later in the day. It would be rather like playing Russian roulette, and at about the same five-to-one-odds. It might be a quick, a whimsical way out of his troubles! But not now. It would leave the interesting question unsolved. And he had promised that nice Professor Bengry at the Institute. Dexter Smythe swam leisurely off towards the reef, his eyes questing for one shape only, the squat sinister wedge of a scorpion fish, or, as Bengry would put it, Scorpaena Plumieri.

Major Dexter Smythe, OBE, Royal Marines (Retd), was the remains of a once brave and resourceful officer and of a handsome man who had made easy sexual conquests all his military life and particularly among the Wrens and Wracs and ATS who manned the com-munications and secretariat of the very special task force to which he had been attached at the end of his service career. Now he was fifty-four, slightly bald and his belly sagged in the Jantzen trunks. And he had had two coronary thromboses. His doctor, Jimmy Greaves (who had been one of their high poker game at Queen's Club when Dexter Smythe had first come to Jamaica), had half-jocularly described the later one, only a month before, as 'the second warning'. But, in his well-chosen clothes, his varicose veins out of sight and his stomach flattened by a discreet support belt behind an immaculate cummerbund, he was still a fine figure of a man at a cocktail party or dinner on the North Shore, and it was a mystery to his friends and neighbours why, in defiance of the two ounces of whisky and ten cigarettes a day to which his doctor had rationed him, he persisted in smoking like a chimney and going to bed drunk, if amiably drunk, every night.

The truth of the matter was that Dexter Smythe had arrived at the frontier of the death-wish. The origins of this state of mind were many and not all that complex. He was irretrievably tied to Jamaica, and tropical sloth had gradually riddled him so that while outwardly he appeared a piece of fairly solid hardwood, under the varnished surface the termites of sloth, self-indulgence, guilt over an ancient sin and general disgust with himself had eroded his once hard core into dust. Since the death of Mary two years before, he had loved no one. He wasn't even sure that he had really loved her, but he knew that, every hour of the day, he missed her love of him and her gay, untidy, chiding and often irritating presence, and though he ate their canapes and drank their martinis, he had nothing but contempt for the international riff-raff with whom he consorted on the North Shore. He could perhaps have made friends with the soldier elements, the gentleman-farmers inland, or the plantation owners on the coast, the professional men and the politicians, but that would mean regaining some serious purpose in life which his sloth, his spiritual accidie, prevented, and cutting down on the bottle, which he was definitely unwilling to do. So Major Smythe was bored, bored to death, and, but for one factor in his life, he would long ago have swallowed the bottle of barbiturates he had easily acquired from a local doctor. The lifeline that kept him clinging to the edge of the cliff was a tenuous one. Heavy drinkers veer towards an exaggeration of their basic temperaments, the classic four - Sanguine, Phlegmatic, Choleric and Melancholic. The Sanguine drunk goes gay to the point of hysteria and idiocy. The Phlegmatic sinks into a morass of sullen gloom. The Choleric is the fighting drunk of the cartoonists who spends much of his life in prison for smashing people and things, and the Melancholic succumbs to self-pity, mawkishness and tears. Major Smythe was a Melancholic who had slid into a drooling fantasy woven around the birds and insects and fish that inhabited the five acres of Wavelets (the name he had given his small villa is symptomatic), its beach and the coral reef beyond. The fish were his particular favourites. He referred to them as 'people' and, since reef fish stick to their territories as closely as do most small birds, after two years he knew them all intimately, 'loved' them and believed that they loved him in return.

They certainly knew him, as the denizens of zoos know their keepers, because he was a daily and a regular provider, scraping off algae and stirring up the sand and rocks for the bottom-feeders, breaking up sea eggs and urchins for the small carnivores and bringing out scraps of offal for the larger ones, and now, as he swam slowly and heavily up and down the reef and through the channels that led out to deep water, his 'people' swarmed around him fearlessly and expectantly, darting at the tip of the three-pronged spear they knew only as a prodigal spoon, flirting right up to the glass of the Pirelli and even, in the case of the fearless, pugnacious demoiselles, nipping softly at his feet and legs. Part of Major Smythe's mind took in all these brilliantly coloured little 'people', but today he had a job to do and while he greeted them in unspoken words - 'Morning, Beau Gregory' to the dark-blue demoiselle sprinkled with bright-blue spots, the 'jewel fish' that exactly resembles the starlit fashioning of a bottle of Worth's 'Vol de Nuit'; 'Sorry. Not today, sweetheart,' to a fluttering butterfly fish with false black 'eyes' on its tail and, 'You're too fat anyway, Blue Boy,' to an indigo parrot fish that must have weighed a good ten pounds - his eyes were searching for only one of his 'people' - his only enemy on the reef, the only one he killed on sight, a scorpion fish.

Scorpion fish inhabit most of the southern waters of the world, and the 'rascasse' that is the foundation of bouillabaisse belongs to the family. The West Indian variety runs up to only about twelve inches long and perhaps a pound in weight. It is by far the ugliest fish in the sea, as if nature were giving warning. It is a mottled brownish grey with a heavy, wedge-shaped shaggy head. It has fleshy pendulous 'eyebrows' that droop over angry red eyes and a coloration and broken silhouette that are perfect camouflage on the reef. Though a small fish, its heavily toothed mouth is so wide that it can swallow whole most of the smaller reef fishes, but its supreme weapon lies in its erectile dorsal fins, the first few of which, acting on contact like hypodermic needles, are fed by poison glands containing enough tetrodotoxin to kill a man if they merely graze him in a vulnerable spot - in an artery, for instance, or over the heart or in the groin. They constitute the only real danger to the reef swimmer, far more dangerous than barracuda or shark, because, supremely confident in their camouflage and armoury, they flee before nothing except the very close approach of a foot or actual contact. Then they flit only a few yards on wide and bizarrely striped pectorals and settle again watchfully either on the sand, where they look like a lump of overgrown coral, or amongst the rocks and seaweed, where they virtually disappear. And Major Smythe was determined to find one, spear it and give it to his octopus to see if it would take or spurn it, see if one of the ocean's great predators would recognize the deadliness of another, know of its poison. Would the octopus consume the belly and leave the spines? Would it eat the lot and, if so, would it suffer from the poison? These were the questions Bengry at the Institute wanted answered and today, since it was going to be the beginning of the end of Major Smythe's life at Wavelets and though it might mean the end of his darling Octopussy, Major Smythe had decided to find out the answers and leave one tiny memorial to his now futile life in some dusty corner of the Institute's marine biological files.

For, only a couple of hours earlier, Major Dexter Smythe's already dismal life had changed very much for the worse. So much for the worse that he would be lucky if, in a few weeks' time - time for the sending of cables from Government House to the Colonial Office, to be relayed to the Secret Service and thence to Scotland Yard and the Public Prosecutor, and for Major Smythe's transportation to London with a police escort - he got away with a sentence of imprisonment for life.

And all this because of a man called Bond, Commander James Bond, who had turned up at ten thirty that morning in a taxi from Kingston.

The day had started normally. Major Smythe had awoken from his Seconal sleep, swallowed a couple of Panadols (his heart condition forbade him aspirin), showered and skimped his breakfast under the umbrella-shaped sea-almonds and spent an hour feeding the remains of his breakfast to the birds. He then took his prescribed doses of anti-coagulant and blood-pressure pills and killed time with the Daily Gleaner until he could have his elevenses which, for months now, he had advanced to ten thirty. He had just poured himself the first of two stiff brandies and ginger ales, 'the drunkard's drink', when he heard the car coming up the drive.

Luna, his coloured housekeeper, came out into the garden and announced, 'Gemmun to see you, Major.'

'What's his name?'

'Him doan say. Major. Him say to tell you him come from Govment House.'

Major Smythe was wearing nothing but a pair of old khaki shorts and sandals. He said, 'All right, Luna. Put him in the living room and say I won't be a moment,' and went round the back way into his bedroom and put on a white bush shirt and trousers and brushed his hair. Government House! Now what the hell?

As soon as he had walked through into the living-room and seen the tall man in the dark-blue tropical suit standing at the picture window looking out to sea, Major Smythe had somehow sensed bad news. Then, when the man had turned slowly to look at him with watchful, serious blue-grey eyes, he had known that this was officialdom, and when his cheery smile was not returned, inimical officialdom. A chill had run down Major Smythe's spine. 'They' had somehow found out.

'Well, well. I'm Smythe. I gather you're from Government House. How's Sir Kenneth?'

There was somehow no question of shaking hands. The man said, 'I haven't met him. I only arrived a couple of days ago. I've been out round the island most of the time. My name's Bond, James Bond. I'm from the Ministry of Defence.'

Major Smythe remembered the hoary euphemism for the Secret Service. He said, with forced cheerfulness, 'Oh. The old firm?'

The question had been ignored. 'Is there somewhere we can talk?'

'Rather. Anywhere you like. Here or in the garden? What about a drink?' Major Smythe clinked the ice in the glass he still held in his hand.' Rum and ginger's the local poison. I prefer the ginger by itself. 'The lie came out with the automatic smoothness of the alcoholic.

' No thanks. And here would be fine.' The man leaned 5negligently against the wide mahogany windowsill.

Major Smythe sat down and threw a jaunty leg over the low arm of one of the comfortable planters' chairs he had had copied from an original by the local cabinet-maker. He pulled out the drink coaster from the other 1arm, took a deep pull at his glass and slid it, with a consciously steady hand, down into the hole in the wood. 'Well,' he said cheerily, looking the other man straight in the eyes,'what can I do for you? Somebody been up to some dirty work on the North Shore and you need a spare hand? Be glad to get into harness again. It's been a long time since those days, but I can still remember some of the old routines.'

'Do you mind if I smoke?' The man had already got his cigarette case in his hand. It was a flat gun-metal one that would hold a round fifty. Somehow this small sign of a shared weakness comforted Major Smythe.

'Of course, my dear fellow.' He made a move to get up, his lighter ready. 'It's all right, thanks.' James Bond had already lit his cigarette. 'No, it's nothing local. I want to, I've been sent out to ask you to recall your work for the Service at the end of the war.' James Bond paused and looked down at Major Smythe carefully. 'Particularly the time when you were working with the Miscellaneous Objectives Bureau.'

Major Smythe laughed sharply. He had known it. He had known it for absolutely sure. But when it came out of this man's mouth, the laugh had been forced out of Major Smythe like the scream of a hit man. 'Oh Lord, yes. Good old MOB. That was a lark all right.' He laughed again. He felt the anginal pain, brought on by the pressure of what he knew was coming, build up across his chest. He dipped his hand into his trouser pocket, tilted the little bottle into the palm of his hand and slipped the white TNT pill under his tongue. He was amused to see the tension coil up in the other man, the way the eyes narrowed watchfully. It's all right, my dear fellow. This isn't a death pill. He said, 'You troubled with acidosis? No? It slays me when I go on a bender. Last night. Party at Jamaica Inn. One really ought to stop thinking one's always twenty-five. Anyway, let's get back to MOB Force. Not many of us left, I suppose.' He felt the pain across his chest withdraw into its lair. 'Something to do with the Official History?'

James Bond looked down at the tip of his cigarette. 'Not exactly.'

'I expect you know I wrote most of the chapter on the Force for the War Book. It's a long time ago now. Doubt if I'd have much to add today.'

'Nothing more about that operation in the Tyrol - place called Ober Aurach, about a mile east of Kitzbuhel?'

One of the names he had been living with for all these years forced another harsh laugh out of Major Smythe. 'That was a piece of cake! You've never seen such a shambles. All those Gestapo toughs with their doxies. All of 'em hog-drunk. They'd kept their files all tickety-boo. Handed them over without a murmur. Hoped that'd earn 'em easy treatment, I suppose. We gave the stuff a first going-over and shipped all the bods off to the Munich camp. Last I heard of them. Most of them hanged for war crimes, I expect. We handed the bumph over to HO. at Salzburg. Then we went on up the Mittersill valley after another hideout.' Major Smythe took a good pull at his drink and lit a cigarette. He looked up. 'That's the long and the short of it.'

'You were Number 2 at the time, I think. The CO was an American, a Colonel King from Patton's army.'

'That's right. Nice fellow. Wore a moustache, which isn't like an American. Knew his way among the local wines. Quite a civilised chap.'

'In his report about the operation he wrote that he handed you all the documents for a preliminary run-through as you were the German expert with the unit. Then you gave them all back to him with your comments?' James Bond paused. 'Every single one of them?'

Major Smythe ignored the innuendo. 'That's right. Mostly lists of names. Counter-intelligence dope. The CI people in Salzburg were very pleased with the stuff. I Gave them plenty of new leads. I expect the originals are lying about somewhere. They'll have been used for the Nuremberg Trials. Yes, by Jove!' Major Smythe was reminiscent, pally. 'Those were some of the jolliest months of my life, haring around the country with MOB Force. Wine, women and song! And you can say that again!'

Most helpful customer reviews

17 of 17 people found the following review helpful.
Look Cubby! Bond with no gadgets and no women.
By john purcell
Ian Fleming penned 14 Bond adventures before his death in 1964. He lived to see the first few movies made, was hopelessly smitten with the young Ursula Andress, and fortunately did not live to see the excesses of his sucessors.

This book is a compilation of three short stories in Octopussy, The Living Daylights, and Property of a Lady. There is no real resemblance to the similarly titled films, but some of the scenes and characters from the short stories made it to the big screen.

These stories show what Bond would do on a slow day, no gadgets or romance involved. Bond does not entertain three women per story, in fact, he meets none. He is smitten at a distance with a cello player, but nothing develops romantically, and the female lead of the third story is described as unattractive.

Bond simply closes out a few files, as one might do in a short week before heading out on holiday. Of course, M and Ms. Moneypenny appear here, with M and the unnamed Chief of Staff providing Bond with his orders and accoutrements.

Octopussy is the best of the lot here. In fact, Bond barely appears in the story set in Fleming's beloved Jamaica about 15 years after the war. A British army major comes into a treasure in the closing chaotic days of the war in Europe. His techniques included murder and eventually he is tracked down by 007 who had been an acquaintance of the "Good German" victim.

The Living Daylights features a challenge between two trained assassins, which will be familiar to viewers of the Timothy Dalton film. Fleming very cleverly sets the scene at Checkpoint Charlie just before the Wall went up. Both sides use innovative cover to muffle their killer's sounds and movements. We get a real sense of the unpleasant side of the business, as Bond's portfolio is murder. He does not relish the assignment, in fact, he speaks of a preference for demotion, drinks whiskey before the event, and fails to complete all parts of the assignment.

Property of a Lady is a primer on Faberge with the famous auction scene, brought to the big screen in a Roger Moore film. Rather than lamely stealing the real article, Bond uses the event to better ends. Here Bond shows more initiative and insight than M in flushing out an important Soviet agent while keeping a useful double agent in place.

12 of 12 people found the following review helpful.
Bond's "regular" assignments
By Amazon Customer
Octopussy and the Living Daylights is a terrific collection of stories that show some of James Bond's smaller, more ordinary assignments. Of course since he's Bond even his more routine stuff is thrilling reading. First out is Octopussy which has nothing to do with the horrible Roger More movie. This story was really about a retired English major who once had a fine career in military inteligence. At the end of the war the major makes a terrible decision and years later in his middle age a man named Bond shows up at his Jamaican home and makes him pay for it. This story is very well written and shows that Ian Flemming had a real knack for characterization.

Property of a Lady shows Bond on a pleasant but serious assignment. For a change he never has to leave London or even break a sweat but he manages to expose one high ranking Russian spy and wryly observes a low level double agent playing the spy game badly.

Living Daylights in my favorite of the stories. Bond has been ordred to Germany to take out a sniper so an agent can escape to the West. This is not a nice job and Bond spends a surprising amount of time considering his distaste about the job. The little details about Bond's preparations, his school marmish old contact, the velvet snipers uniform and walking and eating around Germany are all fascinating. And in the end Bond makes a decison about the Russian sniper and his fellow agent whom he's been sent to save.

The last story and the shortes is Bond in New York. He's been sent on a mission of mercy and plans to enjoy himself in Manhattan. We learn of Ian Flemming's opinion of frozen food and that Bond once had an apartment in Manhattan!

I wouldn't buy this short story collection first. Try the full length novels and then this one because it's all so much about showing the other side of Bond. This is a treat for serious Bond lovers, old and new.

8 of 8 people found the following review helpful.
Fleming's least known 007 book
By A Customer
As Conan Doyle did in the late 1890's (and as others like Ellery Queen and Agatha Christie followed), Ian Fleming seemed to has suscribed the theory that sometimes "less is more" in writing a story, thus chosing a short tale instead of a long one for more impact. This book comprises, in its final form, three novelettes a la "For Your Eyes Only". The book was first printed in 1966 (being the last release of a Fleming original), but the stories were written and fictionally occur after "The Spy Who Loved Me" and before "On Her Majesty's Secret Service". The title episode is another showcase for Fleming's ability to write a story in the true sense, picturing a tale of a man's life since the WWII up to his last days in the Caribbean. Bond is merely an excuse for a dramatic tale of greed, murder and treachery. This story is highlighted by another excellent underwater frame-sequence. "The Living Daylights" is pure Bond, from his practice with the rifle outside London to the tense climax at Berlin. This story is another twist of the plot of "For Your Eyes Only", showing 007 as an assassin questioning about his job but doing it the best he can. Excellent surprising villain(ess). "The Property of a Lady" is a brief example of the author's master touch for describing with great detail and gusto parts of recent history and all kind of things and subjects, in this case jewels and auctions. The development itself is direct and simple, too short indeed, with an ending that doesn't matter as much as the description of the events. By the way, this episode refers to another traitor in the Service. A collection of odd but varied 007 missions.

See all 111 customer reviews...

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Rabu, 18 April 2012

[B762.Ebook] Download PDF Optimal Routing Design (Networking Technology), by Russ White, Alvaro Retana, Don Slice

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Optimal Routing Design (Networking Technology), by Russ White, Alvaro Retana, Don Slice

Techniques for optimizing large-scale IP routing operation and managing network growth�

  • Understand the goals of scalable network design, including tradeoffs between network scaling, convergence speed, and resiliency
  • Learn basic techniques applicable to any network design, including hierarchy, addressing, summarization, and information hiding
  • Examine the deployment and operation of EIGRP, OSPF, and IS-IS protocols on large-scale networks
  • Understand when and how to use a BGP core in a large-scale network and how to use BGP to connect to external networks
  • Apply high availability and fast convergence to achieve 99.999 percent, or “five 9s” network uptime
  • Secure routing systems with the latest routing protocol security best practices
  • Understand the various techniques used for carrying routing information through a VPN

Optimal Routing Design provides the tools and techniques, learned through years of experience with network design and deployment, to build a large-scale or scalable IP-routed network. The book takes an easy-to-read approach that is accessible to novice network designers while presenting invaluable, hard-to-find insight that appeals to more advanced-level professionals as well.

Written by experts in the design and deployment of routing protocols, Optimal Routing Design leverages the authors’ extensive experience with thousands of customer cases and network designs. Boiling down years of experience into best practices for building scalable networks, this book presents valuable information on the most common problems network operators face when seeking to turn best effort IP networks into networks that can support Public Switched Telephone Network (PSTN)-type availability and reliability.

Beginning with an overview of design fundamentals, the authors discuss the tradeoffs between various competing points of network design, the concepts of hierarchical network design, redistribution, and addressing and summarization. This first part provides specific techniques, usable in all routing protocols, to work around real-world problems. The next part of the book details specific information on deploying each interior gateway protocol (IGP)—including EIGRP, OSPF, and IS-IS—in real-world network environments. Part III covers advanced topics in network design, including border gateway protocol (BGP), high-availability, routing protocol security, and virtual private networks (VPN). Appendixes cover the fundamentals of each routing protocol discussed in the book; include a checklist of questions and design goals that provides network engineers with a useful tool when evaluating a network design; and compare routing protocols strengths and weaknesses to help you decide when to choose one protocol over another or when to switch between protocols.

“The complexity associated with overlaying voice and video onto an IP network involves thinking through latency, jitter, availability, and recovery issues. This text offers keen insights into the fundamentals of network architecture for these converged environments.”

—John Cavanaugh, Distinguished Services Engineer, Cisco Systems�

This book is part of the Networking Technology Series from Cisco Press‚ which offers networking professionals valuable information for constructing efficient networks, understanding new technologies, and building successful careers.

  • Sales Rank: #997563 in eBooks
  • Published on: 2005-06-07
  • Released on: 2005-06-07
  • Format: Kindle eBook

From the Back Cover

Techniques for optimizing large-scale IP routing operation and managing network growth�

  • Understand the goals of scalable network design, including tradeoffs between network scaling, convergence speed, and resiliency
  • Learn basic techniques applicable to any network design, including hierarchy, addressing, summarization, and information hiding
  • Examine the deployment and operation of EIGRP, OSPF, and IS-IS protocols on large-scale networks
  • Understand when and how to use a BGP core in a large-scale network and how to use BGP to connect to external networks
  • Apply high availability and fast convergence to achieve 99.999 percent, or “five 9s network uptime
  • Secure routing systems with the latest routing protocol security best practices
  • Understand the various techniques used for carrying routing information through a VPN

Optimal Routing Designprovides the tools and techniques, learned through years of experience with network design and deployment, to build a large-scale or scalable IP-routed network. The book takes an easy-to-read approach that is accessible to novice network designers while presenting invaluable, hard-to-find insight that appeals to more advanced-level professionals as well.

Written by experts in the design and deployment of routing protocols,Optimal Routing Designleverages the authors' extensive experience with thousands of customer cases and network designs. Boiling down years of experience into best practices for building scalable networks, this book presents valuable information on the most common problems network operators face when seeking to turn best effort IP networks into networks that can support Public Switched Telephone Network (PSTN)-type availability and reliability.

Beginning with an overview of design fundamentals, the authors discuss the tradeoffs between various competing points of network design, the concepts of hierarchical network design, redistribution, and addressing and summarization. This first part provides specific techniques, usable in all routing protocols, to work around real-world problems. The next part of the book details specific information on deploying each interior gateway protocol (IGP)—including EIGRP, OSPF, and IS-IS—in real-world network environments. Part III covers advanced topics in network design, including border gateway protocol (BGP), high-availability, routing protocol security, and virtual private networks (VPN). Appendixes cover the fundamentals of each routing protocol discussed in the book; include a checklist of questions and design goals that provides network engineers with a useful tool when evaluating a network design; and compare routing protocols strengths and weaknesses to help you decide when to choose one protocol over another or when to switch between protocols.

“The complexity associated with overlaying voice and video onto an IP network involves thinking through latency, jitter, availability, and recovery issues. This text offers keen insights into the fundamentals of network architecture for these converged environments.

—John Cavanaugh, Distinguished Services Engineer, Cisco Systems�

This book is part of the Networking Technology Series from Cisco Press‚ which offers networking professionals valuable information for constructing efficient networks, understanding new technologies, and building successful careers.

About the Author

Russ White, CCIE� No. 2635, is a member of the Cisco� Routing Deployment and Architecture team in RTP NC. He works in all areas of routing protocol design, routed network design, and routed network deployment.

Don Slice, CCIE No. 1929, is a development engineer on the Cisco Distance Vector Routing Protocol team, responsible for creating new features and resolving software defects with EIGRP and RIP. Previously, Slice worked on the Cisco Routing Deployment and Architecture and Routing Protocol Escalation teams designing, implementing, and troubleshooting networks running all of the IP routing protocols.

Alvaro Retana, CCIE No. 1609, is a technical leader in the IP Routing Deployment and Architecture team at Cisco, where he works directly on advanced features in routing protocols. His current work includes topics such as BGP Security and ad-hoc networking.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Design
By Michel
Perfect start to get into network design, covers all the foundation topics and general principles. Best to read cover to cover.

5 of 6 people found the following review helpful.
On the right track, but little detail on dealing with the real world.
By Canberra CCIE
Optimal Routing Design is full of good stuff. Full marks for starting the book with the advice "think about what you would like the network to do".

The book contains a wealth of information on how you should design a network if you were starting from scratch. It assists in clarifying the impact of routing protocol configuration choices.

For the operator of an existing network, little information is provided on "how to get there from here". Other issues that aren't really addressed are "Having broken a number of design rules, how far am I from a meltdown?" and "What improvement in service/operating costs/convergence would I see if I followed all the rules?"

Another area that could have seem more material was how map the desired behaviour of the network (traffic flow wise) into design decisions.

Overall a valuable contribution to routing literature. Well done.

7 of 10 people found the following review helpful.
A Complete Course
By John Matlock
This is a booked aimed at network engineers who want to understand the concepts and theory of designing and deploying a large-scale network. It is also helpful for engineers who are studying for theie CCIE or Cisco network design certification.

As prerequisites, the reader should be familiar with basic routing protocol concepts, including the mechanics of how each protocol works, basic Cisco router configuration, and physical layer interconnectivity. Some review of routing protocol operation is provided in the appendixes, but these are by no means comprehensive reviews.

Perhaps the chapter headings are as good a summary of what the book covers as any description:

Network Design Goals and Techniques

Applying the Fundamentals

EIGRP Network design

OSPF Network Design

IS-IS Network Design

BGP Cores and Network Scalability

High Availability and Fast Convergence

Routing Protocol Security

Virtual Private Networks

This book is designed to be read, not just used as a reference. It provides a consistent story throughout the book and is intended to be read from front to back and providing a complete course in network routing design.

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Minggu, 15 April 2012

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EMF Protection: How to Stop Harmful EMFs, EMRs (including Cell Phone Radiation), & Dirty Electricity - the Invisible Threat to Your Family

Every day there are new "smart" devices being introduced that promise to make our lives better and easier.

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Consider that:
- cell phones increasingly don't leave our pockets or bedsides
- WiFi equipment all around us is emitting dangerous electromagnetic radiation (sometimes 24/7)
* wifi routers
* cordless phones
* smart meters
* smart appliances, smoke alarms, alarm systems...
* cell phone towers
* electric cars
* power lines
* and many, many more

If you have been curious or even concerned about what all of the “smart” devices could be doing to your health, I hope you'll consider some startling data discussed in this book.

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I am so passionate about sharing what I now know about what these silent EMF dangers are doing to our health, that I want to help you prevent what happened to me.

I have successfully been able to cut the EMF Exposure in my home and surroundings by an estimated 80%, and because of that I believe that my health has been greatly improved. I also did so without spending a lot of money or feeling like I am missing out on the "technology" train.

I want to help dispel the truth and myths, so that you have the tools and knowledge you need to protect you, your family and especially your children!

*****
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- How at risk you are now (you can take a short quiz to find out)
- 10 Simple and Affordable ways you can reduce your exposure
- Why this “invisible” exposure can be harming your health
- 11 unexplained health issues you might be experiencing now (there are many, but these are some of the most common)
- Why EMF is particularly dangerous for your children
- The biggest EMF offenders in your house, and what you can do about it
- The types of electropollution
- Compelling studies, charts and case studies
- Smart Meter myths and dangers
- Tools you can use to measure fields in your home
- What levels are "safe"
- Even if you are currently symptom free, risks of illness that can occur

BONUS: You’ll also have the opportunity to download a free worksheet (self assessment) that will help you further determine the current risk to your family now.

****
Learn how to protect yourself and your family.

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****

Dr. Ariel Policano has over 10 years of clinical experience in natural medicine.

  • Sales Rank: #319026 in eBooks
  • Published on: 2013-11-08
  • Released on: 2013-11-08
  • Format: Kindle eBook

Most helpful customer reviews

5 of 5 people found the following review helpful.
Very highly recommended read.
By Gary S
This is a powerful and worthwhile read. You owe it to yourself and family to read it. Very well written, filled with documented facts, and a real eye-opener. I suggest you read the book description for a broader look at what's in this read. We are exposed to dangerous EMF's, EFM's, and more, each and every day. Cell phones, smart meters, electronic devices including our TV's, home wiring, nearby power transformers, on and on. The list just keeps growing every year. The health dangers are NOT revealed to us in any way by the power companies or government. As usual, just another cover up in the interests of profit and what's good for them. From migranes, to cancers, to ADD, and hundreds of other problems. This book not only explains, it gives us ways to do testing ourselves with meters, and gives solid suggestions on what we each can do. I HIGHLY recommend this book. Less than 80 pages of reading, written in 2013, well worth your time.

5 of 5 people found the following review helpful.
Very good and informative book !
By Terje Myrvang
This book about EMF has very good information and facts on this subject. The book is very interesting and you will learn a lot about radiation hazards you may be exposed to in your own home

3 of 3 people found the following review helpful.
Lots of info to increase awareness and taking steps to reduce exposure
By Kathy
About 20 years ago, I took some EMF/EMR readings in my apartment. Baseboard heaters, TV, microwave—I was surprised at the readings. I have a lot more electronics in my home and life and this book gave me info about their fields and recommended exposure levels. Yikes! What an eye-opener! Thankfully, the book also gives good links and suggestions to reduce exposure.

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Jumat, 06 April 2012

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ITTF Advanced Coaching Manual, by Philippe Molodzoff

The ITTF Advanced Coaching Manual is the logical continuation of the ITTF Level 1 Manual and has been designed to be “user friendly” with pictures, images and charts. The following three courses and syllabus are included in this manual:

ITTF Level 2 Coaching Course - 36 hours (See sections 1-12 syllabus, p. 10)
ITTF Level 3 Coaching Course - 48 hours (See sections 1-16 syllabus, p. 10)
ITTF High Performance Coaching Course - 3 stages = 144 hours (See sections 1-24 syllabus, pp. 11-12)

This way, coaches can progress in a sequential manner with the preceding course being a prerequisite for the following course.

The International Table Tennis Federation is the World Governing Body of Table Tennis.

  • Sales Rank: #806872 in eBooks
  • Published on: 2013-10-07
  • Released on: 2013-10-07
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very good
By Maria Jo�o Alves
Has interesting diagrams and tips. Helped me prepare myself and my players to tournaments.
I recommend it to all coaches!.

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Kamis, 05 April 2012

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  • Published on: 2015
  • Binding: Sheet music

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